Vienna in the 1880s. Paris in the 1920s. Memphis in the 1950s. These are the paradigm shifts of modern culture. Memphis then was like Seattle with grunge or Brooklyn with hip-hop—except the change was more than musical: Underground Memphis embraced black American culture when dominant society simply ignored or abhorred it. The effect rocked the world. Like no other music history, It Came From Memphis by Robert Gordon dishes its tuneful tale with a full context of social issues. From institutional racism to cowboy movies, from manic disc jockeys to Quaalude motorcycle gangs, this story is as unvarnished a history of rock and roll as ever has been written. Stars pass through— Elvis, Aretha, Jerry Lee—but the emphasis is more on the singular achievements of artists like Alex Chilton, Jim Dickinson, Furry Lewis and wrestler Sputnik Monroe. The updated and revised edition 25th Anniversary edition more than 80 new photos, an updated text featuring more voices, a new foreword, and afterword. “Superb.” —The New York Times